arrange

• vt.

• 整える、整頓する、整列させる、そろえる、配列する、配置する、分類する
• 取り決める、協定する、調停する。～の手はずを決める、手配する

• vi.

• 手配する、準備する、計画する。合意する

関

arrangement、array、configuration、constellation、deploy、deployment、disposal、dispose、disposition、juxtapose、place、placement、preparation、preparatory、prepare、preparedness、reserve、see、sequence、sequential

　 　 　 　 　

WordNet

1. arrange thoughts, ideas, temporal events; "arrange my schedule"; "set up ones life"; "I put these memories with those of bygone times" (同)set_up, put, order
2. make arrangements for; "Can you arrange a meeting with the President?" (同)fix_up
3. adapt for performance in a different way; "set this poem to music" (同)set
4. put into a proper or systematic order; "arrange the books on the shelves in chronological order" (同)set_up
5. to arrange for; "place a phone call"; "place a bet"
6. a particular situation; "If you were in my place what would you do?" (同)shoes
7. proper or designated social situation; "he overstepped his place"; "the responsibilities of a man in his station"; "married above her station" (同)station
8. proper or appropriate position or location; "a womans place is no longer in the kitchen"
9. an item on a list or in a sequence; "in the second place"; "moved from third to fifth position" (同)position
10. any area set aside for a particular purpose; "who owns this place?"; "the president was concerned about the property across from the White House" (同)property
11. a general vicinity; "He comes from a place near Chicago"
12. an abstract mental location; "he has a special place in my thoughts"; "a place in my heart"; "a political system with no place for the less prominent groups"
13. the passage that is being read; "he lost his place on the page"
14. take a place in a competition; often followed by an ordinal; "Jerry came in third in the Marathon" (同)come_in, come_out
15. identify the location or place of; "We localized the source of the infection" (同)localize, localise
16. estimate; "We put the time of arrival at 8 P.M." (同)put, set
17. assign to (a job or a home)
18. finish second or better in a horse or dog race; "he bet $2 on number six to place"
19. place somebody in a particular situation or location; "he was placed on probation"
20. sing a note with the correct pitch
21. see and understand, have a good eye; "The artist must first learn to see"
22. the seat within a bishops diocese where his cathedral is located
23. be careful or certain to do something; make certain of something; "He verified that the valves were closed"; "See that the curtains are closed"; "control the quality of the product" (同)check, insure, see to it, ensure, control, ascertain, assure
24. deem to be; "She views this quite differently from me"; "I consider her to be shallow"; "I dont see the situation quite as negatively as you do" (同)consider, reckon, view, regard
25. accompany or escort; "Ill see you to the door" (同)escort
26. deliberate or decide; "See whether you can come tomorrow"; "lets see--which movie should we see tonight?"
27. go to see for a social visit; "I went to see my friend Mary the other day"
28. go to see for professional or business reasons; "You should see a lawyer"; "We had to see a psychiatrist"
29. match or meet; "I saw the bet of one of my fellow players"
30. observe as if with an eye; "The camera saw the burglary and recorded it"
31. perceive by sight or have the power to perceive by sight; "You have to be a good observer to see all the details"; "Can you see the bird in that tree?"; "He is blind--he cannot see"
32. receive as a specified guest; "the doctor will see you now"; "The minister doesnt see anybody before noon"
33. obtain or arrange (for oneself) in advance; "We managed to reserve a table at Maxims"
34. something kept back or saved for future use or a special purpose (同)backlog, stockpile
35. (medicine) potential capacity to respond in order to maintain vital functions
36. the trait of being uncommunicative; not volunteering anything more than necessary (同)reticence, taciturnity
37. arrange for and reserve (something for someone else) in advance; "reserve me a seat on a flight"; "The agent booked tickets to the show for the whole family"; "please hold a table at Maxims" (同)hold, book
38. hold back or set aside, especially for future use or contingency; "they held back their applause in anticipation"
39. determine the order of constituents in; "They sequenced the human genome"
40. a following of one thing after another in time; "the doctor saw a sequence of patients" (同)chronological sequence, succession, successiveness, chronological succession
41. film consisting of a succession of related shots that develop a given subject in a movie (同)episode
42. serial arrangement in which things follow in logical order or a recurrent pattern; "the sequence of names was alphabetical"; "he invented a technique to determine the sequence of base pairs in DNA"
43. several repetitions of a melodic phrase in different keys
44. arrange in a sequence
45. a musician who adapts a composition for particular voices or instruments or for another style of performance (同)adapter, transcriber
46. something arranged in advance
47. a piece of music that has been adapted for performance by a particular set of voices or instruments (同)arrangement
48. an arrangement to allow people (or ideas) to coexist
49. arrangement of events in time (同)temporal order
50. planned in advance; "an arranged marriage"
51. disposed or placed in a particular kind of order; "the carefully arranged chessmen"; "haphazardly arranged interlobular septa"; "comfortable chairs arranged around the fireplace" (同)ordered
52. deliberately arranged for effect; "one of those artfully staged photographs" (同)staged

PrepTutorEJDIC

1. …'を'『整理する』,『整える』;…'を'配置する,配列する / (前もって)…'を'『手配する』,準備する / …'を'前もって決める(打ち合わせる) / …‘の'調停をする / (…用に)…'を'編曲する《+『名』+『for』+『名』》 / 『手配する』,準備をする / (…と…について)打ち合わせる,協定する,取り決める《+『with』+『名』+『about』(『for』)+『名』》
2. 〈C〉『場所』,『位置』;(物の占める)空間 / 〈C〉『地域』,地方,土地 / 〈C〉(特定の目的のための)『場所』,建物 / 〈C〉《話》住居,家 / 〈C〉(体や物などの表面の)箇所,局部 / 〈C〉(書物中の)読んでいる家所 / 〈C〉席,座席 / 〈C〉『地位』,立場,境遇 / 〈C〉『職』,勤め口;(職場・学校などの)席,定員 / 〈C〉任務,役目 / 〈C〉(説明などの)順序,段階 / 〈C〉《米》(競馬などで)第2着 / 《多く固有名詞に用いて,P-》通り,広小路;広場 / 〈C〉(数字の)けた,位(くらい) / 《場所を表す副詞[句]を伴って》…‘を'『置く』,配置する,据える / (職,地位に)〈人〉‘を'つかせる,任ずる,〈人〉‘に'(…の)職を見つけてやる《+『名』+『in』(『as, with』)+『名』》 / (人・物に)〈信頼・希望など〉‘を'置く,かける《+『名』+『on』(『in』)+『名』》 / (店などに)(…の)〈注文〉‘を'出す《+『名』〈注文〉+『for』+『名』〈品物〉+『with』+『名』〈店〉》 / (…だと)…‘を'見きわめる,思い出す《+『名』+『as』+『名』》 / 《順位を示す副詞を伴って》(競争などで)…位(着)になる
3. (視野にはいって)…‘が'『見える』,(目にとめて)…‘を'『見る』,(夢・空想の中で)…‘を'見る / 〈名所など〉‘を'『見物する』;〈劇・映画など〉‘を'見る / …‘を'『理解する』,‘が'分かる / …‘を'予見する,予測する / …‘を'判断する / …‘を'調べる,確かめる / …‘を'取り計らう,…‘に'気を配る / (…まで)〈人〉‘と'いっしょに行く,〈人〉‘を'送り届ける《+『名』+『to』+『名』》 / …‘を'体験する,‘に'遭遇する / 〈人〉‘に'会う,面会する;…‘を'訪問する;〈医者など〉‘に'見てもらう,〈医者が〉〈患者〉‘を'見る / 『見える』,見る / 『理解する』,わかる / 調べる,見てみる,考えてみる
4. 司教区 / 司教の地位;司教管轄権
5. (特定の人・目的などのために)…‘を'『別にしておく』,『取っておく』;…‘を'『予約する』《+『名』+『for』+『名』(do『ing』)》 / (…のために)…‘を'『残しておく』,蓄えておく《+『名』+『for』+『名』》 / 〈権利など〉‘を'保留する / 〈C〉(特定の目的や将来使うために)取っておくもの,(…にための)蓄え《+『for』+『名』》 / 〈U〉(…のために)取っておかれた状態《+『for』+『名』》 / 〈C〉(特別の目的のため取ってある公の)特別保留地 / 〈U〉慎み,自制(self-control) / 〈C〉(政府・銀行などの)準備金,予備金,積立金 / 〈C〉《しばしば複数形で》予備軍 / 蓄えてある,予備の
6. 〈U〉〈C〉(時間の上の,また因果関係のつながりによる)『連続』,続き / 〈C〉《a~》(…の)一連のもの《+『of』+『名』》 / 〈U〉(起こる)『順序』(order),筋道 / 〈C〉(…に対する)結果《+『to』+『名』》
7. 前もっての打ち合わせ

Wikipedia preview

出典(authority):フリー百科事典『ウィキペディア（Wikipedia）』「2013/03/21 09:13:50」(JST)

wiki en

[Wiki en表示]

This article is about arrangements in music. For geometric arrangements, see Arrangement of hyperplanes. For other uses, see The Arrangement (disambiguation).

"Arranged" redirects here. For the independent film, see Arranged (film).

The American Federation of Musicians defines arranging as "the art of preparing and adapting an already written composition for presentation in other than its original form. An arrangement may include reharmonization, paraphrasing, and/or development of a composition, so that it fully represents the melodic, harmonic, and rhythmic structure". Orchestration differs in that it is only adapting music for an orchestra or musical ensemble while arranging "involves adding compositional techniques, such as new thematic material for introductions, transitions, or modulations, and endings...Arranging is the art of giving an existing melody musical variety" (ibid).

Classical music

Arrangements and transcriptions of classical and serious music go back to the early history of this genre. In particular music written for the piano frequently underwent this treatment.^{[citation needed]} The suite of ten piano pieces Pictures at an Exhibition by Modest Mussorgsky, has been arranged over twenty times, perhaps the most famous and notable being that of Maurice Ravel.^{[citation needed]}

Due to his lack of expertise in orchestration, the American composer George Gershwin had his Rhapsody in Blue orchestrated and arranged by Ferde Grofé.

Popular music

Arrangers in pop music recordings often add parts for orchestral or band instruments involving new material such that the arrangers may reasonably be considered co-composers, although for copyright and royalty purposes usually are not.^{[citation needed]} Rhythm section parts are usually improvised or otherwise invented by the performers themselves using chord symbols or a lead sheet as a guide.^{[citation needed]} (Rhythm section instruments usually include guitars, bass guitars, string basses, piano and other keyboard instruments, and drums.)

An existing pop song can be re-recorded with a different arrangement to the original. As well as different instruments, the tempo, time signature and key signature may be altered, sometimes drastically so. The end result is a song that retains familiar phrases and lyrics, but offers something new.^{[citation needed]} This practice was particularly popular in the late 1960s. Well known examples of this include Joe Cocker's version of The Beatles' With a Little Help from My Friends, and Ike And Tina Turner's version of Creedence Clearwater Revival's Proud Mary. The American group Vanilla Fudge and British group Yes based their early careers on radical re-arrangements of contemporary hits.^{[citation needed]} Another and later example would be Bonnie Pointer's disco and Motown-themed versions of "Heaven Must Have Sent You."

Some remixes, particularly in dance music, can also be considered re-arrangements in this style.^{[citation needed]}

Jonathan Tunick is the most prominent arranger, being one of only twelve people to have won Oscar, Grammy, Emmy, and Tony awards.

Jazz

In jazz an unscored collaborative arrangement is called a "head arrangement" (Randel 2002, p. 294; it is in the head of the musician(s)). Big bands such as those of Duke Ellington (at the very beginning of his career), Bennie Moten, and Count Basie performed head arrangements (ibid).

Arrangements for small jazz combos are usually informal, minimal, and uncredited. This was particularly so for combos in the bebop era. In general, the larger the ensemble, the greater the need for a formal arrangement, although the early Count Basie big band was famous for its head arrangements, so called because they were worked out by the players themselves, memorized immediately and never written down. Most arrangements for large ensembles, big bands, in the swing era, were written down, however, and credited to a specific arranger, as were later arrangements for the Count Basie big band by Sammy Nestico and Neal Hefti. Don Redman made significant innovations in the pattern of arrangement in Fletcher Henderson's orchestra in the 1920s. He introduced the pattern of arranging melodies in the body of arrangements and arranging section performances of the big band. Benny Carter became Fletcher's main arranger in the early 30's, moving on become as famous for his arranging expertise as his musicianship. Billy Strayhorn was an arranger of great renown in the Duke Ellington orchestra beginning in 1938.

Jelly Roll Morton is considered the earliest jazz arranger, writing down the parts when he was touring about 1912-1915 so that pick-up bands could play his compositions. Big band arrangements are informally called charts. In the swing era they were usually either arrangements of popular songs or they were entirely new compositions. Duke Ellington's and Billy Strayhorn's arrangements for the Duke Ellington big band were usually new compositions, and some of Eddie Sauter's arrangements for the Benny Goodman band and Artie Shaw's arrangements for his own band were new compositions as well. It became more common to arrange sketchy jazz combo compositions for big band after the bop era.

After 1950, the big bands declined in number. However, several bands continued and arrangers provided renowned arrangements. Gil Evans wrote a number of large-ensemble arrangements in the late fifties and early sixties intended for recording sessions only. Other arrangers of note include Vic Schoen, Pete Rugolo, Oliver Nelson, Johnny Richards, Billy May, Thad Jones, Maria Schneider, Bob Brookmeyer, Steve Sample, Sr, Lou Marini, Nelson Riddle, Ralph Burns, Billy Byers, Gordon Jenkins, Ray Conniff, Henry Mancini, and Ray Reach.

In the 21st century, the Big Band arrangement has made a modest comeback. Gordon Goodwin, Roy Hargrove, and Christian McBride have all rolled out New Big Bands with both original compositions and new arrangements of standard tunes.

See also: List of Jazz Arrangers

Arranging for instrumental groups

Strings

The string section is a body of instruments composed of various stringed instruments. By the 19th century orchestral music in Europe had standardized the string section into the following homogeneous instrumental groups: first violins, second violins, violas, cellos, and double basses. The string section in a multi-sectioned orchestra is referred sometimes to as the “string choir.”

The harp is also a stringed instrument, but is not a member of or homogenous with the violin family and is not considered part of the string choir. Samuel Adler classifies the harp as a plucked string instrument in the same category as the guitar (acoustic or electric), mandolin, banjo, or zither. Like the harp these instruments do not belong to the violin family and are not homogenous with the string choir. In modern arranging these instruments are considered part of the rhythm section. The electric string bass and upright string bass—depending on the circumstance—can be treated by the arranger as either string section or rhythm section instruments.

A group of instruments in which each member plays a unique part—rather than playing in unison with other like instruments—is referred to as a chamber ensemble. A chamber ensemble made up entirely of strings of the violin family is referred to by its size. A string trio consists of three players, a string quartet four, a string quintet five, and so on.

In most circumstances the string section is treated by the arranger as one homogenous unit and its members are required to play preconceived material rather than improvise.

A string section can be utilized on its own (this is referred to as a string orchestra) or in conjunction with any of the other instrumental sections. More than one string orchestra can be utilized.

A standard string section (vln., vln 2., vla., vcl, cb.) with each section playing unison allows the arranger to create a five-part texture. Often an arranger will divide each violin section in half or thirds to achieve a denser texture. It is possible to carry this division to its logical extreme in which each member of the string section plays his or her own unique part.

Size of the string section

Artistic, budgetary and logistical concerns will determine the size and instrumentation of a string section. Due to the large percussion section utilized in the Broadway musical West Side Story, composer Leonard Bernstein chose to utilize a string section without violas.

George Martin, producer and arranger for The Beatles, warns arrangers about the intonation issues when only two like instruments play in unison. "After a string quartet," Martin explains, "I do not think there is a satisfactory sound for strings until one has at least three players on each line...as a rule two stringed instruments together create a slight "beat" which does not give a smooth sound."

While any combination and number of string instruments is possible in a section, a traditional string section sound is achieved with a violin-heavy balance of instruments.

Suggested String Section Sizes

Reference	Author	Section Size	Violins	Violas	Celli	Basses
"Arranged By Nelson Riddle"	Nelson Riddle	12 players	8	2	2	0
"Arranged By Nelson Riddle"	Nelson Riddle	15 players	9	3	3	0
"Arranged By Nelson Riddle"	Nelson Riddle	16 players	10	3	3	0
"Arranged By Nelson Riddle"	Nelson Riddle	20 players	12	4	4	0
"Arranged By Nelson Riddle"	Nelson Riddle	30 players	18	6	6	0
"The Contemporary Arranger"	Don Sebesky	9 players	7	0	2	0
"The Contemporary Arranger"	Don Sebesky	12 players	8	2	2	0
"The Contemporary Arranger"	Don Sebesky	16 players	12	0	4	0
"The Contemporary Arranger"	Don Sebesky	20 players	12	4	4	0

Further reading

Name	Author
Inside the score: A detailed analysis of 8 classic jazz ensemble charts by Sammy Nestico, Thad Jones and Bob Brookmeyer	Rayburn Wright
Sounds and Scores : A Practical Guide to Professional Orchestration	Henry Mancini
The Contemporary Arranger	Don Sebesky
The Study Of Orchestration	Samuel Adler
Arranged by Nelson Riddle	Nelson Riddle

See also

• Transcription (music)
• Orchestration
• Musical Notation
• American Society of Music Arrangers and Composers (ASMAC)
• List of music arrangers
• Category:Music arrangers

Notes

References

• Corozine, Vince (2002). Arranging Music for the Real World: Classical and Commercial Aspects. Pacific, MO: Mel Bay. ISBN 0-7866-4961-5. OCLC 50470629.
• Randel, Don Michael (2002). The Harvard Concise Dictionary of Music and Musicians. ISBN 0-674-00978-9.

UpToDate Contents

全文を閲覧するには購読必要です。 To read the full text you will need to subscribe.

• 1. 小児および思春期における喫煙開始の防止 prevention of smoking initiation in children and adolescents
• 2. 糖尿病における喫煙と心血管リスク smoking and cardiovascular risk in diabetes mellitus
• 3. 2型糖尿病における血糖モニタリングの症例 case illustrating blood glucose monitoring in type 2 diabetes
• 4. プライマリケアにおける禁煙カウンセリング策 smoking cessation counseling strategies in primary care
• 5. スポロトリコーシスの基本的な生物学および疫学 basic biology and epidemiology of sporotrichosis

English Journal

• Self-assembled cage-like protein structures.

• Putri RM1, Cornelissen JJ, Koay MS.
• Chemphyschem : a European journal of chemical physics and physical chemistry.Chemphyschem.2015 Apr 7;16(5):911-8. doi: 10.1002/cphc.201402722. Epub 2015 Jan 29.
• Proteins and protein-based assemblies represent the most structurally and functionally diverse molecules found in nature. Protein cages, viruses and bacterial microcompartments are highly organized structures that are composed primarily of protein building blocks and play important roles in molecula
• PMID 25640591

• Vertically Aligned Sulfur-Graphene Nanowalls on Substrates for Ultrafast Lithium-Sulfur Batteries.

• Li B, Li S, Liu J, Wang B, Yang S.
• Nano letters.Nano Lett.2015 Apr 6. [Epub ahead of print]
• Although lithium-sulfur batteries have gained great interest owing to their high energy density, they lack suitable electrodes capable of rapid charging and discharging to enable a high power density critical for wide applications. Here, we demonstrate a simply electrochemical assembly strategy to a
• PMID 25844483

• Optical assembly of bio-hybrid micro-robots.

• Barroso Á1, Landwerth S, Woerdemann M, Alpmann C, Buscher T, Becker M, Studer A, Denz C.
• Biomedical microdevices.Biomed Microdevices.2015 Apr;17(2):26. doi: 10.1007/s10544-015-9933-1.
• The combination of micro synthetic structures with bacterial flagella motors represents an actual trend for the construction of self-propelled micro-robots. The development of methods for fabrication of these bacteria-based robots is a first crucial step towards the realization of functional miniatu
• PMID 25681045

• Provider perspectives on essential functions for care management in the collaborative treatment of hypertension: the p.a.R.T.N.e.R. Framework.

• Hussain T1, Allen A, Halbert J, Anderson CA, Boonyasai RT, Cooper LA.
• Journal of general internal medicine.J Gen Intern Med.2015 Apr;30(4):454-61. doi: 10.1007/s11606-014-3130-4. Epub 2014 Dec 17.
• BACKGROUND: Care management has become a widespread strategy for improving chronic illness care. However, primary care provider (PCP) participation in programs has been poor. Because the success of care management relies on provider engagement, understanding provider perspectives is necessary.OBJECT
• PMID 25515136

Japanese Journal

• 多メディア間の話題探索のための時系列画像3次元可視化システム

• 伊藤 正彦,豊田 正史,喜連川 優
• 情報処理学会論文誌データベース（TOD） 8(1), 27-44, 2015-03-30
• … We arrange histograms of images related to multiple topics from different types of media in the 3D space by stacking them on timelines to explore changes in trends in each topic, and compare differences in exposure among topics and medium. …
• NAID 170000121395

• 多メディア間の話題探索のための時系列画像3次元可視化システム

• 伊藤 正彦,豊田 正史,喜連川 優
• 情報処理学会論文誌. データベース 8(1), 27-44, 2015-03-30
• 本稿では,Web上の画像や放送映像を含む多メディア画像を用いた時系列画像3次元可視化システムを提案する.近年,Webメディアは,従来型のマスメディアの影響を受けると同時に,マスメディアへ影響を与えるようになってきており,社会事象を分析する際には複数メディア間の話題の広がりを分析することが重要となってきている.また,これらのメディアでは,テキストの代用として積極的に映像・画像を用いることで,文章だけ …
• NAID 110009886570

• 楽器の継続的練習を支援するために練習曲を他楽曲の伴奏に編曲するシステム

• 村井 孝明,西本 一志
• 研究報告ヒューマンコンピュータインタラクション（HCI） 2015-HCI-162(11), 1-8, 2015-03-06
• … This paper illustrates a system setup and how to arrange the etudes and evaluates its usefulness based on user studies. …
• NAID 170000121161

• 楽器の継続的練習を支援するために練習曲を他楽曲の伴奏に編曲するシステム

• 村井 孝明,西本 一志
• 情報処理学会研究報告. HCI, ヒューマンコンピュータインタラクション研究会報告 2015-HCI-162(11), 1-8, 2015-03-06
• バイオリンの練習曲の練習における意欲を保つことは一般的に難しい.多くの練習曲は単調で,飽きられやすいためである.そこで本稿では,ポピュラーミュージックなどの練習者が好んで聴取している楽曲に対して,基礎練習のための練習曲の要素を含んだ伴奏を自動的に編曲するシステム Amuse etude を提案する.本稿では,システム構成と編曲手法を説明し,ユーザスタディによって提案手法の有用性を評価する.実験の結 …
• NAID 110009882456

Related Links

• アレンジ-beauty space Arrange-滋賀県の美容室。ヘアアレンジ ...

Shop Guide Arrange 野洲本店 滋賀県野洲市野洲931 0120-866-814 Arrange 小篠原店 滋賀県野洲市小篠原902-1 0120-866-456 Arrange 栗東店 滋賀県栗東市北中小路5-2 0120-516-025 Arrange 守山店 滋賀県守山市下之郷2丁目15-35

• arrangeの意味 - 英和辞書 - goo辞書

arrangeとは。意味や和訳。[動](他)1 …を配列する；…を整とんする, 整えるarrange flowers花を生けるarrange ones hair髪を整えるarrange words in alphabetical order単語をアルファベット順に並べる.2 [III[名]]…を取り決める；[III t... - goo ...

• arrange：ビジネス英語辞書：スペースアルク

arrange a meeting:会議の手配をする...英語からも日本語からも検索できて、解説、文例、コロケーションまで掲載した実用的な内容です。 ... 上のフォームに単語（英和・和英対応）を入力して、[検索]ボタンをクリックしてください。 ※この辞書 ...

Related Pictures

---

★リンクテーブル★

リンク元	「配列」「sequential」「array」「sequence」「reserve」
拡張検索	「make an arrangement」「gene arrangement」「Claisen rearrangement」

「配列」

　　[★]

英

sequence、arrangement、array、constellation、arrange、sequential

関

協定、経時的、系列、結果、シークエンス、シーケンス、順序、準備、筋道、整列、取り計らう、配置、配列決定、連続、連続的、逐次、結果としての、時系列、並べる、アレイ、順次、整理

PHP関数

array_unique()

	for ( $i = 0 ; $i < 5 ; $i++ ) {
		$a['w'][$i] = $i+100;
		$a['m'][$i] = 1;
	}
	for ( $i = 5 ; $i < 15 ; $i++ ) {
		$a['w'][$i] = $i+100;
		$a['m'][$i] = 2;
	}
	for ( $i = 15 ; $i < 20 ; $i++ ) {
		$a['w'][$i] = $i+100;
		$a['m'][$i] = 3;
	}

	$a['w'][5]=100;
	$a['w'][15]=100;

var_dump($a);
	$b = array_unique($a['w']); #配列 重複キー 消去

var_dump($b);

-----
array(2) { 
	["w"]=> array(20) 
		{
			[0]=> int(100) [1]=> int(101) [2]=> int(102) [3]=> int(103) [4]=> int(104) [5]=> int(100) [6]=> int(106) [7]=> int(107) [8]=> int(108) [9]=> int(109) [10]=> int(110) [11]=> int(111) [12]=> int(112) [13]=> int(113) [14]=> int(114) [15]=> int(100) [16]=> int(116) [17]=> int(117) [18]=> int(118) [19]=> int(119) } 
	["m"]=> array(20) 
		{
			[0]=> int(1) [1]=> int(1) [2]=> int(1) [3]=> int(1) [4]=> int(1) [5]=> int(2) [6]=> int(2) [7]=> int(2) [8]=> int(2) [9]=> int(2) [10]=> int(2) [11]=> int(2) [12]=> int(2) [13]=> int(2) [14]=> int(2) [15]=> int(3) [16]=> int(3) [17]=> int(3) [18]=> int(3) [19]=> int(3) } } 

array(18) {
			[0]=> int(100) [1]=> int(101) [2]=> int(102) [3]=> int(103) [4]=> int(104) [6]=> int(106) [7]=> int(107) [8]=> int(108) [9]=> int(109) [10]=> int(110) [11]=> int(111) [12]=> int(112) [13]=> int(113) [14]=> int(114) [16]=> int(116) [17]=> int(117) [18]=> int(118) [19]=> int(119) } 

配列の要素の除去

array_pop

• 配列のインデックスから、末尾にあるインデックス１つを取り除く。指定した変数の配列が空だった場合には、null が帰される。

配列の結合

• 1. +演算子。同じキーを上書きする。
• 2. array_push(array, array)とすると、出力が array([0]->array, [1]->array)になる。
• 3. array_match(out_array, add_array)これでokだが、add_array = array();だとエラーが起こるので、適当なトラップが必要。　←　array_mergeの間違えでしょ？

配列要素の結合

• implodeを用いる

$str = implode('/',$array);

配列の要素表示

• var_dump()
• print_r();

「sequential」

　　[★]

• adj.

• 連続的な、系列の、経時的な、時系列の、逐次の、配列の、順次の、結果としての

関

arrange、arrangement、array、chronologic、chronological、chronologically、consequent、consequential、constellation、continual、continuous、continuously、lineage、paradigmatic、progressively、sequence、sequentially、serial、serially、series、successive、successively、time-dependent

　

「array」

　　[★]

• vt.

• 整頓する、配列する、整列させる。(軍隊)の配置(編制)を整える。
• 盛装させる、飾る

• n.

• 整頓、配列、整列
• 整然と並んだもの(of)。(軍隊の)陣立て。整然と組織された軍隊。(史)民兵の武装。(法)陪審員の招集、(招集された)陪審員。おびただしい数。大勢の中の勢揃い、たくさんのもの(の陳列)

関

align, alignment, arrange, arrangement, constellation, sequence, sequential

　 　 　 　 　

「sequence」

　　[★]

• n.

• 配列、連続、順序、結果、筋道、シークエンス

• v.

• 配列決定する

関

a sequence of、arrange、arrangement、array、barrage、consecutive、consequence、constellation、continually、continue、continuous、order、ordinal、outcome、output、product、result、resultant、sequencing、sequential、serial、series、thread

　 　 　 　 　 　 　

「reserve」

　　[★]

• 予備、準備、貯蔵、蓄え、余裕量、準備する、貯蔵する、確保する、保留する、予約する、貯蔵型の

関

arrange、arrangement、book、pool、pooling、preliminary、preparation、preparatory、prepare、preparedness、preservation、preserve、reservation、spare、storage、store、stored、suspend、withhold

　 　 　 　 　 　 　

「make an arrangement」

　　[★]

arrangement

• 準備(手配・支度・お膳立)を整える、配慮する、協定する

「gene arrangement」

　　[★]

• 遺伝子配置

関

gene order、gene position

「Claisen rearrangement」

　　[★]

クライゼン転位、Claisen転位