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器楽曲(きがくきょく)とは、器楽のための楽曲である。対義語は声楽曲。ポピュラー音楽系では英語「instrumental」の日本語表記でインスツルメンタル、インストルメンタル、インストゥルメンタル、インストゥメンタル、またはこれらを略してインストなどとも言う(対義語はボーカル)。
人声を一切用いず、楽器のみで演奏されれば器楽曲と呼ばれる。狭義には、ピアノなどの独奏楽器のための独奏曲のことをいって、管弦楽、室内楽などと区別する。
またアニメやドラマなどの劇伴において、主題歌の歌声の部分を楽器で演奏した曲もインスト、またはメロディのみのオーケストラである事から「メロオケ」と呼ぶ。菊池俊輔は1970年代に劇伴を作る際、主題歌のインストを多用していた作曲家として知られる。
器楽曲 | 独奏曲(狭義の器楽曲) | ピアノ曲 | |
---|---|---|---|
室内楽曲 | 弦楽四重奏曲 | ||
ピアノ三重奏曲 | |||
ピアノ四重奏曲 | |||
ピアノ五重奏曲 | |||
合奏曲 | 管弦楽曲 | 交響曲 | |
協奏曲 | |||
狭義の管弦楽曲 | |||
吹奏楽曲 |
ポピュラー音楽のインストゥルメンタル曲では主に以下の楽器がリード楽器として用いられる。
This article may contain original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research may be removed. (November 2009) |
An instrumental is a musical composition or recording without lyrics, or singing, although it might include some inarticulate vocal input; the music is primarily or exclusively produced by musical instruments.
In a song that is otherwise sung, a section not sung but played with instruments can be called an instrumental interlude. If the instruments are percussion instruments, the interlude can be called a percussion interlude. These interludes are a form of break in the song.
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In commercial popular music, instrumental tracks are sometimes renderings of a corresponding release that features vocals, but may also be compositions originally conceived without vocals. An instrumental version of a song which otherwise features vocals is also known as a -1 (pronounced minus one).
The opposite of instrumental is a cappella.
In genres which the non-vocal part is conceived using electronic media, the instrumental not necessarily has to be conceived by musical instruments, but is the term to refer to some composition or version that does not include vocals.
Title | Artist | Country | Reached number-one |
---|---|---|---|
Frenesi | Artie Shaw | US | December 21, 1940 |
Song of the Volga Boatmen | Glenn Miller | US | March 19, 1941 |
Piano Concerto in B Flat | Freddy Martin | US | October 4, 1941 |
A String of Pearls | Glenn Miller | US | February 7, 1942 |
Moonlight Cocktail | Glenn Miller | US | February 28, 1942 |
Heartaches | Ted Weems | US | March 15, 1947 |
Twelfth Street Rag | Pee Wee Hunt | US | August 28, 1948 |
Blue Tango | Leroy Anderson | US | May 17, 1952 |
The Song from Moulin Rouge[2][3] | Mantovani | UK | August 14, 1953 |
Oh Mein Papa[note 1][3][4] | Eddie Calvert | UK | January 8, 1954 |
Let's Have Another Party[3][5] | Winifred Atwell | UK | December 3, 1954 |
Cherry Pink (and Apple Blossom White)[3][4] | Perez Prado | UK | April 29, 1955 |
Cherry Pink (and Apple Blossom White)[6] | Perez Prado | US | April 30, 1955 |
Cherry Pink (and Apple Blossom White)[4] | Eddie Calvert | UK | May 27, 1955 |
Cherry Pink (and Apple Blossom White) | Perez Prado | Germany | October 8, 1955 |
Autumn Leaves | Roger Williams | US | October 29, 1955 |
Lisbon Antigua | Nelson Riddle | US | February 25, 1956 |
The Poor People of Paris | Les Baxter | US | March 17, 1956 |
The Poor People of Paris[3][5] | Winifred Atwell | UK | April 13, 1956 |
Moonglow/Theme from Picnic | Morris Stoloff | US | June 2, 1956 |
Tequila[note 2] | The Champs | US | March 17, 1958 |
Patricia[6] | Perez Prado | US | July 28, 1958 |
Patricia | Perez Prado | Germany | October 18, 1958 |
Hoots Mon[note 3][3][7] | Lord Rockingham's XI | UK | November 28, 1958 |
Side Saddle[3][8] | Russ Conway | UK | March 27, 1959 |
The Happy Organ[9] | Dave "Baby" Cortez | US | May 11, 1959 |
Roulette[3][8] | Russ Conway | UK | June 19, 1959 |
Sleep Walk | Santo & Johnny | US | September 21, 1959 |
Theme from A Summer Place[10] | Percy Faith | US | February 22, 1960 |
Apache[3][9][11] | The Shadows | UK | August 25, 1960 |
Wonderland by Night[10] | Bert Kaempfert | US | January 9, 1961 |
Calcutta[10] | Lawrence Welk | US | February 13, 1961 |
On the Rebound[3][12] | Floyd Cramer | UK | May 18, 1961 |
Kon-Tiki[3][12] | The Shadows | UK | October 5, 1961 |
Mexico | Bob Moore | Germany | January 27, 1962 |
Wonderful Land[3][9] | The Shadows | UK | March 22, 1962 |
Nut Rocker[3][13] | B. Bumble and the Stingers | UK | May 17, 1962 |
Stranger on the Shore | Acker Bilk | US/UK [note 4] |
May 26, 1962 |
The Stripper[10] | David Rose | US | July 7, 1962 |
Telstar[3][9] | The Tornados | UK | October 4, 1962 |
Telstar[14] | The Tornados | US | December 22, 1962 |
Dance On![3][15] | The Shadows | UK | January 24, 1963 |
Diamonds[3][11][16][17] | Jet Harris and Tony Meehan | UK | January 31, 1963 |
Telstar | The Tornados | France | February 9, 1963 |
Foot Tapper[3][15] | The Shadows | UK | March 29, 1963 |
Il Silenzio | Nini Rosso | Germany | July 19, 1965 |
A Taste of Honey[14] | Herb Alpert & The Tijuana Bass | US | November 27, 1965 |
Love is Blue[18] | Paul Mauriat | US | February 10, 1968 |
The Good, the Bad and the Ugly[18] | Hugo Montenegro | US | June 8, 1968 |
Grazing in the Grass[18] | Hugh Masekela | US | July 20, 1968 |
The Good, the Bad and the Ugly[3][19] | Hugo Montenegro, his Orchestra and Chorus | UK | November 13, 1968 |
Albatross[3][9] | Fleetwood Mac | UK | January 29, 1969 |
Love Theme from Romeo and Juliet[18] | Henry Mancini | US | June 28, 1969 |
Amazing Grace[3][9] | Royal Scots Dragoon Guards | UK | April 15, 1972 |
Popcorn | Hot Butter | France | July 13, 1972 |
Mouldy Old Dough[note 5][9] | Lieutenant Pigeon | UK | October 14, 1972 |
Frankenstein[18] | The Edgar Winter Group | US | May 26, 1973 |
Eye Level[3][9] | Simon Park Orchestra | UK | September 29, 1973 |
Love's Theme[20] | Love Unlimited Orchestra | US | February 9, 1974 |
TSOP (The Sound of Philadelphia)[note 6] | MFSB featuring The Three Degrees | US | April 20, 1974 |
Pick Up the Pieces[note 7][20] | Average White Band | US | February 22, 1975 |
The Hustle[note 8][20] | Van McCoy and the Soul City Orchestra | US | July 26, 1975 |
Fly, Robin, Fly[note 9] | Silver Convention | US | November 29, 1975 |
Theme from "S.W.A.T."[20] | Rhythm Heritage | US | February 28, 1976 |
A Fifth of Beethoven[20] | Walter Murphy | US | October 9, 1976 |
Gonna Fly Now[note 10] | Bill Conti | US | July 2, 1977 |
Star Wars Theme/Cantina Band[note 4] | Meco | US | October 1, 1977 |
Rise[20] | Herb Alpert | US | October 20, 1979 |
One Step Beyond | Madness | France | March 7, 1980 |
Chariots of Fire[20] | Vangelis | US | May 8, 1982 |
Miami Vice Theme[20] | Jan Hammer | US | November 9, 1985 |
Song of Ocarina | Jean-Philippe Audin and Diego Modena | France | January 18, 1992 |
Doop[note 11][3][21] | Doop | UK | March 19, 1994 |
The X-Files | Mark Snow | France | June 8, 1996 |
Flat Beat[note 12][3][22] | Mr. Oizo | UK | April 3, 1999 |
Many times, instrumentals are used in advertising in place of vocalized music, because there is much more room for a product's information. Some notable cases are:
Some recordings which include brief examples of the human voice are typically considered instrumentals. Examples include singles with the following:
A few songs categorized as instrumentals may even include actual vocals, if they appear only as a short part of an extended piece (e.g., "Unchained Melody" (Les Baxter) or "TSOP (The Sound of Philadelphia)" or "Pick Up the Pieces" or "The Hustle" or "Fly, Robin, Fly" or "Do It Any Way You Wanna" or "Gonna Fly Now" (Bill Conti)). Falling just outside that definition is "Theme From Shaft" by Isaac Hayes.
Look up instrumental in Wiktionary, the free dictionary. |
Wikimedia Commons has media related to: Instrumental music |
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拡張検索 | 「instrumental conditioning」「instrumental ADL」「instrumental activities of daily living」 |
関連記事 | 「instrument」 |
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