WordNet

separate dirt or gravel from (precious minerals)
cleanse (ones body) with soap and water (同)lave
form by erosion; "The river washed a ravine into the mountainside"
to cleanse (itself or another animal) by licking; "The cat washes several times a day"
a watercolor made by applying a series of monochrome washes one over the other (同)wash_drawing
the work of cleansing (usually with soap and water) (同)washing, lavation
a thin coat of water-base paint
any enterprise in which losses and gains cancel out; "at the end of the year the accounting department showed that it was a wash"
the dry bed of an intermittent stream (as at the bottom of a canyon) (同)dry wash
cleanse with a cleaning agent, such as soap, and water; "Wash the towels, please!" (同)launder
clean with some chemical process (同)rinse
remove by the application of water or other liquid and soap or some other cleaning agent; "he washed the dirt from his coat"; "The nurse washed away the blood"; "Can you wash away the spots on the windows?"; "he managed to wash out the stains" (同)wash_out, wash off, wash_away
admit to testing or proof; "This silly excuse wont wash in traffic court"
apply a thin coating of paint, metal, etc., to
be capable of being washed; "Does this material wash?"
move by or as if by water; "The swollen river washed away the footbridge"
the creation of artistic pictures or diagrams; "he learned drawing from his father" (同)draftsmanship, drafting
act of getting or draining something such as electricity or a liquid from a source; "the drawing of water from the well" (同)drawing off
a representation of forms or objects on a surface by means of lines; "drawings of abstract forms"; "he did complicated pen-and-ink drawings like medieval miniatures"
an illustration that is drawn by hand and published in a book, magazine, or newspaper; "it is shown by the drawing in Fig. 7"
wet as from washing; sometimes used in combination; "rain-washed"
clean by virtue of having been washed in water (同)water-washed

PrepTutorEJDIC

〈C〉1色塗りの水彩画 / 〈U〉1色塗りの水彩画法
…‘を'洗う,洗濯する / 〈汚れ・しみなど〉‘を'『洗い落とす』《+名+away(off, out),+away(off, out)+名》;(…から)…‘を'洗い落とす《+名+off(out of)+名》 / 〈人・舟・家屋など〉‘を'『洗い流す』,押し流す《+名+away(along,down,up),+away(along,down,up)+名》,(…から)…‘を'洗い流す《+名+off(away from)+名》 / 〈波などが〉〈岸など〉‘を'『洗う』,‘に'打ち寄せる;〈雨などが〉…‘を'ぬらす,うるおす / (塗料などで)…‘を'薄く塗る;…‘を'メッキする《+名+with+名》 / 〈雨水などが〉…‘を'浸食する《+名+away(out),+away(out)+名》;〈雨だれなどが〉〈穴など》‘を'うがつ / (特に手・顔・体を)『洗う』 / 『洗濯する』 / 〈布地が〉洗濯がきく;〈洗剤などが〉よごれを落とす;〈しみなどが〉洗って落ちる《+off(out);(…から)〈しみなどが〉洗って落ちる《+off(out of)+名》 / 〈波などが〉(…に)『打ち寄せる』,(…を)洗う《+against(over)+名》 / 〈U〉《しばしば a~》『洗うこと』,洗濯 / 〈U〉《時に a~》《集合的に》(一度の洗濯の)『洗い物』,洗濯物 / 〈U〉〈C〉《しばしば複合語を作って》洗い薬,洗浄剤;(…のための)洗い薬《+for+名》 / 〈U〉《the~》(波の)打ち寄せ,(波の)打ち寄る音《+of+名》 / 〈C〉(絵の具・塗料などの)薄い一塗り;薄いメッキ / 〈U〉(船のあとに引く)白波,航跡;(飛行機などのあとに残る)気流の渦 / 洗濯のきく
〈U〉『線で描くこと』,線描 / 〈C〉(鉛筆・ペン・クレヨンなどによる)『絵』,『スケッチ』,デザイン,製図 / 〈U〉線画(デッサン)の技法 / 〈C〉くじ引き,抽選
洗うこと,洗濯 / 《しばしば the~》《集合的に》(一度に洗う)洗濯物
語義

Wikipedia preview

出典(authority):フリー百科事典『ウィキペディア（Wikipedia）』「2015/09/22 14:36:12」(JST)

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The 11th century Chinese artist Wen Tong was known for his ink and wash bamboo pieces.^[1]

Rembrandt selectively used a wash technique in his depictions of lions to enhance the contrast between "the heavy manes and supple skin".^[2]

Wash techniques have been used in architectural renderings for over 300 years.^[3]

A wash is a term for a visual arts technique resulting in a semi-transparent layer of color. A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash.^[4] Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting.

In painting it is a technique in which a paint brush that is very wet with solvent and holds a small load of paint or ink is applied to a wet or dry support such as paper or primed or raw canvas. The result is a smooth and uniform area that ideally lacks the appearance of brush strokes and is semi-transparent. In East Asian traditions Ink and wash painting is a very important technique, all applied with brushes, especially for landscape painting.

A wash is accomplished by using a large amount of solvent with little paint. Paint consists of a pigment and binder which allows the pigment to adhere to its support. Solvents dilute the binder, thus diluting the binding strength of the paint. Washes can be brittle and fragile paint films because of this. However, when gum arabic watercolor washes are applied to a highly absorbent surface, such as paper, the effects are long lasting.

The wash technique can be achieved by doing the following:

With water-based media such as inks, acrylic paints, tempera paints or watercolor paints, a wet brush should be dipped into a pool of very wet and diluted paint. This paint pool should be evenly mixed and dispersed to prevent uneven pigment load on the brush. The loaded brush should then be applied to a dry or wet support. Washes are most often applied with large brushes over large areas. The areas in which a wash effects can be controlled with careful application of the wash, and with the use of liquid frisket or rubber cement.
With oil-based media such as oil paint, a similar technique as outlined above may be used, though instead of water the paint pool should be well diluted in solvent, such as turpentine or mineral spirits. The loaded brush should be applied to a dry or solvent soaked support. Because oil paint has a longer drying time than water-based media, brushing over or blending a wash can extend or even out the appearance of the wash. American artists Jackson Pollock, Mark Rothko, Morris Louis, Sam Francis, Paul Jenkins, Helen Frankenthaler, Jules Olitski, Friedel Dzubas, Ronnie Landfield and several others are famous for creating washy, watercolor-like effects in oil and acrylic paintings in distinctive and radical styles and versions of this method, and which is sometimes called stain painting.

In interior design, a wash or color wash of paint on a wall can be used to create a textured effect as a faux finish.^[5]

In ceramics, a wash is typically a coloring oxide thinned with water applied to the piece to achieve an effect similar to a glaze.^[6]

Digital image creation software can have features that simulate the painting technique.^[7]

Within cinematic representation of the technique, Alfred Hitchcock used a wash of red over closeup of actress Tippi Hedren in Marnie as an expressionistic representation of the character's emotional trauma.^[8]^[9]

References

^ Kong, The Editorial Committee of Chinese Civilization: A Source Book, City University of Hong (2007-04-01). China: Five Thousand Years of History and Civilization. City University of HK Press. pp. 741–. ISBN 9789629371401. Retrieved 23 August 2014.
^ Slive, Seymour; Rijn, Rembrandt Harmenszoon van (2009). Rembrandt Drawings. J. Paul Getty Museum. pp. 121–. ISBN 9780892369768. Retrieved 23 August 2014.
^ Gabriel, J. François (2004). Classical Architecture for the Twenty-first Century: An Introduction to Design. W.W. Norton & Company. pp. 79–. ISBN 9780393730760. Retrieved 23 August 2014.
^ "Pen, ink and wash", National Portrait Gallery
^ Kaufman, Mervyn (2007-10-14). Easy Home Makeovers: "Before" and "After" Transformations for Any Living Space. Filipacchi Publishing. pp. 156–. ISBN 9781933231136. Retrieved 23 August 2014.
^ Burleson, Mark (2003). The Ceramic Glaze Handbook: Materials, Techniques, Formulas. Lark Books. pp. 94–. ISBN 9781579904395. Retrieved 23 August 2014.
^ Burrough, Xtine (2013). Foundations of Digital Art and Design with the Adobe Creative Cloud. New Riders. pp. 115–. ISBN 9780321906373. Retrieved 23 August 2014.
^ Stromgren, Richard L.; Norden, Martin F. (1984-07). Movies, a language in light. Prentice-Hall. ISBN 9780136043072. Retrieved 23 August 2014. Check date values in: |date= (help)
^ Raubicheck, Walter; Srebnick, Walter (2011). Scripting Hitchcock: Psycho, The Birds, and Marnie. University of Illinois Press. pp. 53–. ISBN 9780252036484. Retrieved 23 August 2014.

Media related to Ink and wash paintings at Wikimedia Commons

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