出典(authority):フリー百科事典『ウィキペディア(Wikipedia)』「2016/11/03 22:50:59」(JST)
Sideways | |
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Theatrical release poster
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Directed by | Alexander Payne |
Produced by | Michael London |
Screenplay by | Alexander Payne Jim Taylor |
Based on | Sideways by Rex Pickett |
Starring | Paul Giamatti Thomas Haden Church |
Music by | Rolfe Kent |
Cinematography | Phedon Papamichael |
Edited by | Kevin Tent |
Production
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Michael London Productions
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Distributed by | Fox Searchlight Pictures |
Release dates
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Running time
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123 minutes[1] |
Country | United States |
Language | English |
Budget | $16 million[1] |
Box office | $109.7 million[1] |
Sideways is a 2004 American comedy-drama film written by Jim Taylor and Alexander Payne and directed by Payne. A film adaptation from Rex Pickett's novel of the same name, Sideways follows two men in their forties, Miles Raymond (Paul Giamatti), a depressed teacher and unsuccessful writer and Jack Cole (Thomas Haden Church), a past-his-prime actor, who take a week-long road trip to Santa Barbara County wine country to celebrate Jack's upcoming wedding. Despite his impending marriage, Jack has a romantic fling with a local wine pourer, Stephanie (Sandra Oh), and tells her he is in love with her. Jack persuades Miles to date Stephanie's friend, a server named Maya (Virginia Madsen), whom Miles knows. The double romance blooms until Miles lets slip that Jack is getting married at the end of the vacation, which causes both women to angrily break off their relationships with the men. Payne and Taylor won multiple awards for their screenplay. The principal actors and actresses received accolades for their performances. Sideways won the Academy Award for Best Adapted Screenplay, and was nominated for four other awards including Best Picture.
Miles Raymond is an aspiring – but unsuccessful – writer, a wine aficionado and a divorced, depressed, borderline alcoholic middle-aged English teacher living in San Diego, who takes his soon-to-be-married actor friend and former college roommate, Jack Cole, on a road trip through Santa Ynez Valley wine country. Though still recognized on occasion, Jack's acting career appears to have peaked years ago, when he had a role in a popular TV soap but now does commercial voice-overs and plans to enter his future father-in-law's successful real estate business after he's married. Miles wants to spend the week relaxing, golfing, enjoying good food and wine; however, much to Miles' consternation, Jack is on the prowl and wants one last sexual fling before settling into domestic life.
In the wine country, the pair visit Miles' favorite restaurant, The Hitching Post II, and meet Maya, an attractive, intelligent waitress with whom Miles is casually acquainted. Jack senses that Maya is interested in Miles, who downplays his friend's intuition, and tells Jack that Maya is married. He tells Maya that Miles' manuscript has been accepted for publication, even though it is only being considered. Later, at a tasting in a local winery, they meet an attractive wine pourer named Stephanie, who is also acquainted with Maya. Jack is immediately attracted to Stephanie and arranges a double date, to include Miles and Maya, and tells Miles that he learned Maya is no longer married ("sans rock", as he describes it). During the date, Miles gets drunk and telephones Vicki, his ex-wife, after learning from Jack earlier that day that she has remarried. They return to Stephanie's home, where Jack and Stephanie immediately adjourn to her bedroom for sex, while Miles and Maya connect through their mutual interest in wine. Maya tells Miles that she is finishing her master's degree so she can leave serving and work in the horticulture industry. Miles tells Maya about his book and gives her a copy of his manuscript. As the week progresses, Jack's affair with Stephanie continues, to the point where he believes he's falling in love with her; he bonds with her daughter and makes the suggestion to Miles that they move there for him to be closer to Stephanie. After spending the day together, Miles and Maya return to her apartment and have sex. The next day, Miles lets it slip that Jack is to be married. Disgusted with the dishonesty, Maya dumps Miles and tells Stephanie who, furious and devastated to learn she's been used, breaks Jack's nose using her motorcycle helmet and hits him repeatedly.
On finding out his manuscript has been rejected again, Miles drinks heavily and causes a scene during a wine tasting when the server cuts him off, and ends up trying to drink from the spit bucket. That night, with Stephanie gone, Jack hooks up with another waitress named Cammi, who recognized him from his acting career. Hours later, Jack shows up back at the motel room he shares with Miles – naked and confessing that Cammi's husband came home early while she and Jack were having sex. Jack explains he was forced to flee without his clothes and wallet (which contains a pair of irreplaceable wedding rings). Jack convinces Miles to drive him back to Cammi's house and sneak inside, where he discovers Cammi and her husband having sex. Miles spies Jack's wallet, grabs it and runs from the house, barely escaping Cammi's irate husband, who pursues him in the nude. To explain the broken nose and cover up the infidelity to his fiancée, Jack runs Miles' convertible into a tree, giving the appearance they had been in an accident. The pair return to the home of Jack's fiancée, where he is welcomed with open arms, and Miles drives away in his battered car.
Following the wedding ceremony, Miles runs into his ex-wife Vicki and meets her new husband. After learning that she is also pregnant, Miles accepts that he will never get Vicki back. Alone, he drinks his prized wine, a 1961 Château Cheval Blanc, from a disposable coffee cup at a fast-food restaurant and falls into an even deeper depression. After some time passes, Miles returns to the routine of teaching school; coming home one afternoon, he receives a voice-mail from Maya, who says she enjoyed his manuscript and invites him to visit. Ultimately, Miles is seen driving back to Santa Ynez and knocking on Maya's door.
The film drew attention and increase in tourism to the Santa Ynez Valley wine-growing region of California's Central Coast. Throughout the film, Miles speaks fondly of the red wine varietal Pinot Noir, while denigrating Merlot.[2][3] Following the film's U.S. release in October 2004, Merlot sales dropped 2% while Pinot Noir sales increased 16% in the Western United States. A similar trend occurred in British wine outlets.[3][4] Other reports also claimed anecdotally that sales of Merlot dropped after the film's release.[5][5][6][7][8] A 2009 study by Sonoma State University found that Sideways slowed the growth in Merlot sales volume and caused its price to fall, but the film's main effect on the wine industry was a rise in the sales volume and price of Pinot Noir, and in overall wine consumption.[9] A 2014 study by Vineyard Financial Associates estimated that Sideways cost Merlot farmers over $400M in lost revenue in the decade after its release.[10]
Sideways | ||||
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Soundtrack album by Rolfe Kent | ||||
Released | 12 October 2004 | |||
Recorded | 2004 | |||
Genre | Soundtrack | |||
Length | 37:24 | |||
Label | New Line Records | |||
Producer | Rolfe Kent | |||
Rolfe Kent chronology | ||||
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The original soundtrack album features 15 jazz instrumentals composed and produced by Rolfe Kent and was orchestrated and arranged for the band by Tony Blondal. The album was nominated for the Golden Globe Award for "Best Original Score", and the music so popular there was demand for a national tour. Eventually a few cities were chosen to perform in as the composer was too busy to commit to more.
Time Out described the film as "intelligent, funny and moving",[11] and Roger Ebert of the Chicago Sun-Times gave the film four stars, saying: "what happens during the seven days adds up to the best human comedy of the year – comedy, because it is funny, and human, because it is surprisingly moving."[12] The review aggregator Metacritic gives Sideways a Metascore of 94%, signifying "universal acclaim".[13] The movie also holds a 96% rating at Rotten Tomatoes, with 215 positive reviews out of 223.[14]
A surprise hit, Sideways became popular in Hollywood, the US, and internationally. Santa Ynez Valley, where much of the film is set, attracted increased tourism. The film was nominated for dozens of awards, winning many, and was dubbed "the best reviewed movie of 2004".
With the exception of Giamatti, who had already starred in critically acclaimed films such as American Splendor, the film was a career breakthrough for the stars. Church and Madsen were each nominated for the Screen Actors Guild Award, Golden Globe Award, and Academy Award for their performances, winning the Broadcast Film Critics Association Award and Independent Spirit Award for their respective categories. Giamatti has since been headlined as "The World's Best Character Actor" by Time magazine.[15] Sandra Oh—who later broke up with the film's director, Alexander Payne—went on to star in the ABC medical drama Grey's Anatomy, for which she won two Screen Actors Guild Awards and one Golden Globe Award.
Sideways was ranked 494th on Empire's 2008 list of the 500 greatest movies of all time.[16] In 2013, the Writers Guild of America also ranked its script as the 90th greatest ever written.[17]
Awards | |||
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Award | Category | Name | Outcome |
American Film Institute Awards | AFI Movie of the Year | Won | |
77th Academy Awards | Best Picture | Michael London | Nominated |
Best Director | Alexander Payne | ||
Best Supporting Actor | Thomas Haden Church | ||
Best Supporting Actress | Virginia Madsen | ||
Best Adapted Screenplay | Alexander Payne and Jim Taylor | Won | |
American Cinema Editors | Best Edited Feature Film – Comedy or Musical | Kevin Tent | Nominated |
Argentine Film Critics Association | Best Foreign Film, Not in Spanish Language | Alexander Payne | Won |
Belgian Syndicate of Cinema Critics | Grand Prix | Nominated | |
58th British Academy Film Awards | Best Adapted Screenplay | Alexander Payne and Jim Taylor | Won |
Bodil Awards | Best American Film | Alexander Payne | |
Boston Society of Film Critics Awards 2004 | Best Film | ||
Best Director | Alexander Payne | 2nd Place | |
Best Actor | Paul Giamatti | ||
Best Supporting Actor | Thomas Haden Church | Won | |
Best Cast | Thomas Haden Church, Paul Giamatti, Virginia Madsen, and Sandra Oh | ||
Best Screenplay | Alexander Payne and Jim Taylor | ||
Broadcast Film Critics Association Awards | Best Film | ||
Best Director | Alexander Payne | Nominated | |
Best Actor | Paul Giamatti | ||
Best Supporting Actor | Thomas Haden Church | Won | |
Best Supporting Actress | Virginia Madsen | ||
Best Cast | Thomas Haden Church, Paul Giamatti, Virginia Madsen, and Sandra Oh | ||
Best Screenplay | Alexander Payne and Jim Taylor | ||
Best Composer | Rolfe Kent | Nominated | |
Casting Society of America | Best Feature Film Casting – Comedy | John Jackson and Ellen Parks | Won |
Chicago Film Critics Association | Best Film | Won | |
Best Actor | Paul Giamatti | ||
Best Supporting Actor | Thomas Haden Church | ||
Best Supporting Actress | Virginia Madsen | ||
Best Screenplay | Alexander Payne and Jim Taylor | ||
Czech Lion | Best Foreign Language Film | Alexander Payne | Nominated |
Dallas-Fort Worth Film Critics Association | Best Film | 2nd Place | |
Top 10 Films | Won | ||
Best Actor | Paul Giamatti | ||
Best Supporting Actor | Thomas Haden Church | ||
Best Supporting Actress | Virginia Madsen | ||
Directors Guild of America Awards | Outstanding Directorial Achievement in Motion Pictures | Alexander Payne | Nominated |
Florida Film Critics Circle Awards | Best Film | Won | |
Best Director | Alexander Payne | ||
Best Supporting Actor | Thomas Haden Church | ||
Best Screenplay | Alexander Payne and Jim Taylor | ||
Golden Globe Awards | Best Motion Picture – Musical or Comedy | ||
Best Director – Motion Picture | Alexander Payne | Nominated | |
Best Actor in a Motion Picture – Musical or Comedy | Paul Giamatti | ||
Best Supporting Actor – Motion Picture | Thomas Haden Church | ||
Best Supporting Actress – Motion Picture | Virginia Madsen | ||
Best Screenplay – Motion Picture | Alexander Payne and Jim Taylor | Won | |
Best Original Score – Motion Picture | Rolfe Kent | Nominated | |
Gotham Awards | Best Film | Alexander Payne | Won |
Independent Spirit Awards | Best Film | Michael London | |
Best Director | Alexander Payne | ||
Best Male Lead | Paul Giamatti | ||
Best Supporting Male | Thomas Haden Church | ||
Best Supporting Female | Virginia Madsen | ||
Best Screenplay | Alexander Payne and Jim Taylor | ||
London Film Critics Circle Awards | Film of the Year | ||
Director of the Year | Alexander Payne | Nominated | |
Actor of the Year | Paul Giamatti | ||
Screenwriter of the Year | Alexander Payne and Jim Taylor | ||
Los Angeles Film Critics Association | Best Film | Won | |
Best Director | Alexander Payne | ||
Best Actor | Paul Giamatti | 2nd Place | |
Best Supporting Actor | Thomas Haden Church | Won | |
Best Supporting Actress | Virginia Madsen | ||
Best Screenplay | Alexander Payne and Jim Taylor | ||
National Board of Review | Top Ten Films | ||
Best Supporting Actor | Thomas Haden Church | ||
Best Adapted Screenplay | Alexander Payne and Jim Taylor | ||
National Society of Film Critics Awards | Best Film | 2nd Place | |
Best Director | Alexander Payne | ||
Best Actor | Paul Giamatti | ||
Best Supporting Actor | Thomas Haden Church | Won | |
Best Supporting Actress | Virginia Madsen | ||
Best Screenplay | Alexander Payne and Jim Taylor | ||
New York Film Critics Circle | Best Film | ||
Best Actor | Paul Giamatti | ||
Best Supporting Actress | Virginia Madsen | ||
Best Screenplay | Alexander Payne and Jim Taylor | ||
Online Film Critics Society | Best Picture | Nominated | |
Best Director | Alexander Payne | ||
Best Actor | Paul Giamatti | Won | |
Best Supporting Actor | Thomas Haden Church | ||
Best Supporting Actress | Virginia Madsen | Nominated | |
Best Adapted Screenplay | Alexander Payne and Jim Taylor | Won | |
Producers Guild of America Awards | Darryl F. Zanuck Award for Best Theatrical Motion Picture | Michael London | Nominated |
San Diego Film Critics Society Awards | Best Adapted Screenplay | Alexander Payne and Jim Taylor | Won |
San Francisco Film Critics Circle | Best Film | Won | |
Best Director | Alexander Payne | ||
Best Actor | Paul Giamatti | ||
Best Supporting Actor | Thomas Haden Church | ||
Best Supporting Actress | Virginia Madsen | ||
Satellite Awards | Best Film – Musical or Comedy | Won | |
Best Director – Motion Picture | Alexander Payne | Nominated | |
Best Actor in a Motion Picture – Musical or Comedy | Paul Giamatti | ||
Best Supporting Actor in a Motion Picture – Musical or Comedy | Thomas Haden Church | Won | |
Best Supporting Actress – Motion Picture Musical or Comedy | Virginia Madsen | Nominated | |
Best Cast – Motion Picture | Thomas Haden Church, Paul Giamatti, Virginia Madsen, and Sandra Oh | Won | |
Best Adapted Screenplay | Alexander Payne and Jim Taylor | Nominated | |
Screen Actors Guild Awards | Outstanding Performance by a Cast in a Motion Picture | Thomas Haden Church, Paul Giamatt, Virginia Madsen, and Sandra Oh | Won |
Outstanding Performance by a Male Actor in a Leading Role | Paul Giamatti | Nominated | |
Outstanding Performance by a Male Actor in a Supporting Role | Thomas Haden Church | ||
Outstanding Performance by a Female Actor in a Supporting Role | Virginia Madsen | ||
Toronto Film Critics Association Awards | Best Film | Won | |
Best Actor | Paul Giamatti | ||
Best Supporting Actress | Virginia Madsen | ||
USC Scripter Award | Best Screenplay | Alexander Payne and Jim Taylor | Nominated |
Vancouver Film Critics Circle | Best Film | Won | |
Best Director | Alexander Payne | Nominated | |
Best Actor | Paul Giamatti | ||
Best Supporting Actor | Thomas Haden Church | ||
Best Supporting Actress | Virginia Madsen | Won | |
Washington D.C. Area Film Critics Association | Best Supporting Actor | Thomas Haden Church | Nominated |
Best Supporting Actress | Virginia Madsen | ||
Best Adapted Screenplay | Alexander Payne and Jim Taylor | Won | |
Writers Guild of America | Best Adapted Screenplay | Alexander Payne and Jim Taylor |
Fox International Productions and Fuji TV released a Japanese-language remake of the film in October 2009,[18] often referred to in English as Saidoweizu (the anglicization of its Japanese title). The film is directed by Cellin Gluck and stars Katsuhisa Namase, Fumiyo Kohinata, Kyōka Suzuki, and Rinko Kikuchi, and has a soundtrack composed and performed by Hawaiian-born ukulele virtuoso Jake Shimabukuro.
The remake shifts the setting of the film to Napa Valley. Although listed as an executive producer, Payne was not involved with the remake, although he gave it his blessing.[19] Giamatti declined an invitation to appear in an unspecified cameo appearance in the film.[20]
Pickett wrote a sequel to his novel, Vertical, in 2011, following Miles and Jack on a road trip to Oregon with Miles's mother. However, Payne has declined to consider a sequel to the film. Fox Searchlight owns the rights to the characters, but Payne's lack of interest makes the film a non-starter for Fox.[21]
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Films directed by Alexander Payne
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Critics' Choice Movie Award for Best Picture
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Critics' Choice Movie Award for Best Acting Ensemble
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Satellite Award for Best Film
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Musical or Comedy (1996–2009, retired) |
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Satellite Award for Best Cast – Motion Picture
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