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For other uses, see Night Club (disambiguation).
"Discotek", "Discothèque", and "Discotech" redirect here. For the company, see Discotek Media. For the song by U2, see Discothèque (song). For the album by Herbie Mann, see Discothèque (album). For the song by Young Love, see Discotech (song).
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Laser lights illuminate the dance floor at a trance music event in a nightclub
People dance at an industrial music event in a nightclub, some of them drinking refreshments, alcoholic beverages or soft drinks
A nightclub (also known as a discothèque, disco, dance club or club) is an entertainment venue that usually operates late into the night. A nightclub is generally distinguished from bars, pubs or taverns by the inclusion of a dance floor and a DJ booth, where a DJ plays recorded music. The busiest nights for a nightclub are Friday and Saturday night.
The music in nightclubs is either live bands or, more commonly, a mix of songs played by a DJ through a powerful PA system. Most clubs or club nights cater to certain music genres.
Contents
- 1 History
- 1.1 Early history
- 1.2 1970s: Disco
- 1.3 1980s New York and London
- 1.4 1990s, 2000s, and 2010s
- 2 Recurring features
- 2.1 Club nights
- 3 Nightclub entry criteria
- 3.1 Cover charge
- 3.2 Dress code
- 3.3 Exclusive boutique nightclubs
- 3.4 Guest list
- 4 Security
- 5 Serious incidents
- 6 List of nightclubs
- 7 See also
- 8 References
History
Early history
"The Cave" in the basement of the Gruenwald (later Roosevelt) Hotel, New Orleans opened in 1912; said by some to be one of the first "nightclubs" in the United States
From about 1900 to 1920, working class Americans would gather at honky tonks or juke joints to dance to music played on a piano or a jukebox. Webster Hall is credited as the first modern nightclub,[1] being built in 1886 and starting off as a "social hall", originally functioning as a home for dance and political activism events. During Prohibition in the United States, nightclubs went underground as illegal speakeasy bars, with Webster Hall staying open, with rumors circulating of Al Capone's involvement and police bribery. With the repeal of Prohibition in February 1933, nightclubs were revived, such as New York's 21 Club, Copacabana, El Morocco, and the Stork Club. These nightclubs featured big bands (there were no DJs).
In Germany, possibly the first discothèque was Scotch-Club.[citation needed] In Occupied France, jazz and bebop music, and the jitterbug dance were banned by the Nazis as decadent American influences, so as an act of French resistance, people met at hidden basements called discothèques[2] where they danced to jazz and swing music, which was played on a single turntable when a jukebox was not available. These discothèques were also patronized by anti-Vichy youth called zazous. There were also underground discothèques in Nazi Germany patronized by anti-Nazi youth called the swing kids.
In Harlem, Connie's Inn and the Cotton Club were popular venues for white audiences. Before 1953 and even some years thereafter, most bars and nightclubs used a jukebox or mostly live bands. In Paris, at a club named Whisky à Gogo, founded in 1947,[3] Régine in 1953 laid down a dance-floor, suspended coloured lights and replaced the jukebox with two turntables that she operated herself so there would be no breaks between the music. The Whisky à Gogo set into place the standard elements of the modern post World War II discothèque-style nightclub. At the end of the 1950s, several of the coffee bars in Soho introduced afternoon dancing and the most famous, at least on the continent, was Les Enfants Terribles at 93 Dean St. These original discothèques were nothing like the night clubs, as they were unlicensed and catered to a very young public—mostly made up of French and Italians working illegally, mostly in catering, to learn English as well as au pair girls from most of western Europe. In the early 1960s, Mark Birley opened a members-only discothèque nightclub, Annabel's, in Berkeley Square, London. In 1962, the Peppermint Lounge in New York City became popular and is the place where go-go dancing originated. However, the first rock and roll generation preferred rough and tumble bars and taverns to nightclubs, and the nightclub did not attain mainstream popularity until the 1970s disco era. Sybil Burton, former wife of actor Richard Burton, opened the "Arthur" discothèque in 1965 on East 54th Street in Manhattan on the site of the old El Morocco nightclub and it became the first, foremost and hottest disco in New York City through 1969.[4]
1970s: Disco
Disco has its roots in the underground club scene. During the early 1970s in New York City, disco clubs were places where oppressed or marginalized groups such as homosexuals, Blacks, Latinos, Italian-Americans, and Jews could party without following male to female dance protocol or exclusive club policies. It brought together people from all walks of life and backgrounds.[5] These clubs acted as safe havens for homosexual partygoers to dance in peace and away from public scrutiny.[6][citation needed] Disco was a genre for people to explore sexuality and push the envelope on the dancefloor. Disco clubs acted as an escape from such depressing environments and acted as the fantasy marginalized peoples could escape to forget oppression and racism.[citation needed] Disco clubs originally functioned as liberated party spaces and were seen as places of political statement.[citation needed]
By the late 1970s many major US cities had thriving disco club scenes centered on discothèques, nightclubs, and private loft parties where DJs would play disco hits through powerful PA systems for the dancers. The DJs played "... a smooth mix of long single records to keep people 'dancing all night long'".[7] Some of the most prestigious clubs had elaborate lighting systems that throbbed to the beat of the music.
Some cities had disco dance instructors or dance schools that taught people how to do popular disco dances such as "touch dancing", the "hustle" and the "cha-cha-cha". There were also disco fashions that discothèque-goers wore for nights out at their local disco, such as sheer, flowing Halston dresses for women and shiny polyester Qiana shirts for men. Disco clubs and "... hedonistic loft parties" had a club culture with many Italian-American, African American, gay[8] and Hispanic people.
In addition to the dance and fashion aspects of the disco club scene, there was also a thriving drug subculture, particularly for recreational drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine[9] (nicknamed "blow"), amyl nitrite "poppers",[10] and the "... other quintessential 1970s club drug Quaalude, which suspended motor coordination and turned one's arms and legs to Jell-O".[11] The "massive quantities of drugs ingested in discothèques by newly liberated gay men produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex. While the dance floor was the central arena of seduction, actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells, and so on. In other cases the disco became a kind of "main course" in a hedonist's menu for a night out."[11]
Famous 1970s discothèques included celebrity hangouts such as Manhattan's Studio 54, which was operated by Steve Rubell and Ian Schrager. Studio 54 was notorious for the hedonism that went on within; the balconies were known for sexual encounters, and drug use was rampant. Its dance floor was decorated with an image of the "Man in the Moon" that included an animated cocaine spoon. Other famous 1970s discothèques in New York City included " Manhattan's Starship Discovery One, 350 West 42nd Street, New York, New York, DJ's Frankie Carvajal, Joe Palminteri. Album Cover of Saturday Night Band's Come on and Dance, Dance features 2 Dancers in the Starship Discovery One" "Roseland's Ballroom West 52nd Street NYC", "Xenon", "The Loft", the "Paradise Garage", a recently renovated "Copacabana," and "Aux Puces", one of the first gay disco bars. In San Francisco, there was the Trocadero Transfer, the I-Beam, and the End Up.
By the early 1980s, the term "disco" had largely fallen out of favour in most of the English-speaking world.
1980s New York and London
A Disc Jockey playing music in a club
During the 1980s, during the New Romantic movement, London had a vibrant nightclub scene, which included clubs like The Blitz, the Batcave, the Camden Palace and Club for Heroes. Both music and fashion embraced the aesthetics of the movement. Bands included Depeche Mode, Yazoo, The Human League, Duran Duran, Blondie, Eurythmics and Ultravox. Reggae-influenced bands included Boy George and Culture Club, and electronic vibe bands included Visage. At London nightclubs, young men would often wear make-up and young women would wear men's suits.
The largest UK cities like Leeds (The Orbit), Newcastle, Liverpool (Quadrant Park and 051), Swansea, Manchester (The Haçienda) and several key European places like Paris (Les Bains Douches), Ibiza (Pacha), Rimini etc. also played a significant role in the evolution of clubbing, DJ culture and nightlife.
Significant New York nightclubs of the period were Area, Danceteria, and The Limelight.[12]
1990s, 2000s, and 2010s
In Europe and North America, nightclubs play disco-influenced dance music such as house music, techno, and other dance music styles such as electronica, breakbeat and trance. Most nightclubs in the U.S. major cities that have an early adulthood clientele, play hip hop, dance-pop, house and/or trance music. These clubs are generally the largest and most frequented of all of the different types of clubs. The emergence of the "superclub" created a global phenomenon, with Ministry of Sound (London), Cream (Liverpool) and Pacha (Ibiza).
Techno clubs are especially popular around the world since the early 1990s. Famous examples are Berghain, Bunker and Tresor in Berlin, Omen and Cocoon in Frankfurt, Distillery in Leipzig, Tunnel Club in Hamburg, Warehouse in Chicago and The Haçienda in Manchester.
In other languages, nightclubs are sometimes still referred to as "discos" or "discothèques" (German: Disko or Diskothek (outdated; nowadays: Club); French: discothèque; Italian, Portuguese and Spanish: discoteca, antro (common in Mexico only), and boliche (common in Argentina only), discos is commonly used in all others in Latinamerica). In Japanese ディスコ, disuko refers to an older, smaller, less fashionable venue; while クラブ, kurabu refers to a more recent, larger, more popular venue. The term night is used to refer to an evening focusing on a specific genre, such as "retro music night" or a "singles night." In Hong Kong and China, night club is used as a euphemism for a hostess club, and the association of the term with the sex trade has driven out the regular usage of the term.
A recent trend in the North American, Australian and European nightclub industry is the usage of video. VJs ("video jockeys") mix video content in a similar manner that DJs mix audio content, creating a visual experience that is intended to complement the music.
Recurring features
Club nights
See also: Category:Club nights
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Many clubs have recurring club nights on different days of the week. The music festival Bangface, for example, started out as a club night. Most club nights focus on a particular genre or sound for branding effects.[13]
Nightclub entry criteria
Many nightclubs choose who can enter on bases other than just age: dress code and guest list. That is used to make their status as a nightclub more "exclusive". Quite often, there are no clear policies governing entry to a nightclub, thereby allowing the doormen to deny entry to anybody at discretion.
Cover charge
In most cases, entering a nightclub requires a flat fee, called a cover charge. Some clubs waive or reduce the cover charge for early arrivers, special guests or women (in the United Kingdom this latter option is illegal under the Equality Act 2010[14] but the law is rarely enforced, and open violations are frequent). Friends of the doorman or the club owner may gain free entrance. Sometimes, especially at larger clubs in Continental European countries, one gets only a pay card at the entrance, on which all money spent in the discothèque (often including the entrance fee) is marked. Sometimes, entrance fee and cloakroom costs are paid by cash, and only the drinks in the club are paid using a pay card.[citation needed]
Some clubs, especially those located in Las Vegas, offer patrons the chance to sing up on their Guest List. A club's guest list is a special promotion the venue offers separate from general admission. Each club has different benefits when you are signed up on their guest list. Some of the benefits of being on a club's guestlist are: free entry, discounted cover charge, the ability to skip the line, and free drinks. Many clubs hire a promotions team to find and sign up guest to the club's Guest List. There are a few online service companies that offer guest list sign ups for multiple venues, such as Club Q.
Clubgoers dancing at an upmarket nightclub
Dress code
Light-up club wear for performances, glowing under black lights.
Many nightclubs enforce a dress code in order to ensure a certain type of clientele is in attendance at the venue. Some upscale nightclubs ban attendees from wearing trainers (sneakers) or jeans while other nightclubs will advertise a vague "dress to impress" dress code that allows the bouncers to discriminate at will against those vying for entry to the club.
Many exceptions are made to nightclub dress codes, with denied entry usually reserved for the most glaring rule breakers or those thought to be unsuitable for the party. Certain nightclubs like fetish nightclubs may apply a dress code (BDSM) to a leather-only, rubber-only or fantasy dress code. The dress code criterion is often an excuse for discriminatory practices, such as in the case of Carpenter v. Limelight Entertainment Ltd.[15]
Exclusive boutique nightclubs
Large cosmopolitan cities that are home to large affluent populations (such as Atlanta, Chicago, Los Angeles, Melbourne, Miami, New York City, and London) often have what are known as exclusive boutique nightclubs. This type of club typically has a capacity of less than 200 occupants and a very strict entrance policy, which usually requires an entrant to be on the club's guest list.[citation needed] While not explicitly members+only clubs, such as Soho House, exclusive nightclubs operate with a similar level of exclusivity. As they are off limits to most of the public and ensure the privacy of guests, many celebrities favor these types of clubs to other, less exclusive, clubs that do not cater as well to their needs.[citation needed]
Another differentiating feature of exclusive nightclubs is, in addition to being known for a certain type of music, they are known for having a certain type of crowd, for instance, a fashion-forward, affluent crowd or a crowd with a high concentration of fashion models. Many exclusive boutique clubs market themselves as being a place to socialize with models and celebrities. Affluent patrons who find that marketing message appealing are often willing to purchase bottle service at a markup of several times the retail cost of the liquor.[16] London's most exclusive boutique nightclubs include Amika, Cirque le Soir, Project, The Box, and The Rose Club. They are frequently visited by an array of A-List celebrities from the fashion, film, and music industries. All are located in London's prestigious Mayfair, except Cirque le Soir and The Box, which are both located in London's sex capital, Soho,[citation needed] and the both have a more risqué theme.[citation needed]
Guest list
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Many nightclubs operate a "guest list" that allows certain attendees to enter the club for free or at a reduced rate. Some nightclubs have a range of unpublished guest list options ranging from free, to reduced, to full price with line by-pass privileges only. Nightclub goers on the guest list often have a separate queue and sometimes a separate entrance from those used by full price-paying attendees. It is common for the guestlist line-up to be no shorter or even longer than the full-paying or ticketed queues. Some nightclubs allow clubbers to register for the guest list through their websites. There are a few online service companies that offer guest list sign ups for multiple venues, such as the Las Vegas based company Club Q.[citation needed]
Security
Most nightclubs employ teams of bouncers, who have the power to restrict entry to the club and remove people. Some bouncers use handheld metal detectors to prevent weapons being brought into clubs.[17][page needed][18] Bouncers often eject patrons who bring party drugs into the venue.[19][20] Bouncers count the number of people admitted to a club in order to prevent stampedes and fire code violations, and also enforce a club's dress code, frequently accepting bribes to let people jump the queue.[21][22] Many clubs have balcony areas specifically for the security team to watch over the clubbers.
Serious incidents
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Main article: List of nightclub fires
- 20 September 1929: Study Club fire of 1929, early dance club fire that killed 22 in Detroit, Michigan, USA
- 23 April 1940: Rhythm Night Club fire, 209 killed at nightclub fire at Natchez, Mississippi, USA
- 28 November 1942: Cocoanut Grove fire, 492 killed in a nightclub fire at Boston, Massachusetts, USA
- 1 November 1970: Club Cinq-Sept fire in a nightclub just outside the small town of Saint-Laurent-du-Pont, Isère in south-eastern France; 146 people killed
- 8 March 1973: Whiskey Au Go Go fire, 15 killed after firebombing at Fortitude Valley, Brisbane, Australia
- 2 August 1973: Summerland disaster, 51 killed at fire at Summerland leisure centre at Douglas, Isle of Man
- 28 May 1977: Beverly Hills Supper Club fire, 165 killed and 200 injured in nightclub fire at Southgate, Kentucky, USA
- 14 February 1981: Stardust fire disaster, 48 killed and 214 injured at nightclub fire at Dublin, Republic of Ireland
- 5 April 1986: Bomb attack on La Belle discothèque, Berlin, Germany, 3 killed, 230 injured; 2 Marines sustaining permanent disability were 2nd Force Recon Co. Marine's LCPL Hurt & LCPL Blackwood who despite their injuries gave assistance to their fellow Marines and civilians alike before their injuries were discovered by medical personnel
- February 1990: Stage collapse at a discothèque at Bilbao, Spain, 13 injured[citation needed]
- 25 March 1990: Happy Land fire, 87 killed in a nightclub fire at Happy Land, The Bronx, New York City
- 20 December 1993: Kheyvis Fire, 17 killed in a nightclub fire at Buenos Aires, Argentina
- 18 March 1996: Ozone Disco Club fire, 162 dead and 92 injured at a nightclub in Quezon City, Philippines
- 30 October 1998: Gothenburg discothèque fire, 63 people killed, 200 injured in a nightclub fire at Gothenburg, Sweden
- 24 March 2000: Throb nightclub disaster, 13 children killed, 54 injured in stampede in Durban, South Africa[23]
- 1 June 2001: Suicide bombing at the Dolphinarium discothèque in Tel Aviv, Israel
- 13 October 2001: Stage toggled at Zapata discothèque Stuttgart, Germany, several people hurt
- 21 December 2001: At Club "Indigo", Sofia, Bulgaria, in an early party for minors, the huge crowd pushing their way to get in collapses down the frosty stairs and crushes 7 children (ages between 10 and 14) to death[citation needed]
- 12 October 2002: 2002 Bali bombings, 202 killed by large bombs.
- 7 December 2002: Cowgate fire, Edinburgh, Scotland
- 17 February 2003: 2003 E2 nightclub stampede, Chicago, Illinois, 21 killed and over 50 injured
- 20 February 2003: The Station nightclub fire, 100 killed at nightclub fire in West Warwick, Rhode Island
- 8 December 2004: A shooter in Columbus, Ohio shot and killed guitarist "Dimebag" Darrel Abbott and two other people, also wounding band manager and a fan in the audience
- 30 December 2004: República Cromañón nightclub fire, 194 killed and 714 injured in a nightclub fire at Buenos Aires, Argentina
- 31 December 2005: a circular crossbar fell down from the roof of a nightclub at Ibbenbüren, Germany, 4 people hurt[citation needed]
- 18 June 2007: Gatecrasher One Fire, Sheffield, England
- 1 January 2009: Santika Club fire in Santika Club in Watthana, Bangkok, Thailand, 61 killed and at least 212 injured
- 24 July 2009: a man bled to death at a pool party in Perkins Park nightclub, Stuttgart, Germany, after he made a head dive into a swimming pool in which there were fragments of glass[24]
- 5 December 2009: Lame Horse fire, a fire at the Lame Horse nightclub killed at least 155 people and injures 79 others in Perm, Russia.[25][26]
- 15 January 2011: 3 girls died, 14 people injured at a stampede in West Balkan Club, Budapest[citation needed][27]
- 27 January 2013: Kiss nightclub fire, 245 died in stampede in Brazil
- 25 October 2015: Inul Vizta Karaoke club fire, 17 killed and 71 injured in Indonesia
- 30 October 2015: Colectiv nightclub fire, 55 killed and 180 injured in Romania
- 12 June 2016: At least 50 people shot to death at the Pulse nightclub in Orlando, Florida
List of nightclubs
Main page: Category:Nightclubs
The following is an incomplete list of nightclub lists or nightclubs with their own Wikipedia pages, of all genres.
- List of electronic dance music venues
- List of nightclubs in Australia
- List of nightclubs in New York City
- List of nightclubs in Port Harcourt
- List of nightclubs in Sweden
See also
- Index of drinking establishment-related articles
- Go-go dancing
- Nightclub act
- Ten-pin bowling
References
- ^ "Webster Hall Landmark Status Certification" (PDF). Greenwich Village Society for History Preservation.
The intact, elegantly detailed façade of Webster Hall has sheltered some of the Village’s most infamous moments, and this first modern night club deserves to be an individual landmark
- ^ "The birth of disco". OXford Dictionaries. Retrieved 2014-01-08.
- ^ Johnny Pierre (6 December 2009). "The Whiskey A Go Go (Los Angeles, CA)". Rock and Roll is a state of mind. Archived from the original on 24 April 2010. Retrieved 11 February 2010.
- ^ Time magazine. (14 May 1965). Brewster, B.; Broughton, F. Last Night a Disc Jockey Saved My Life, Grove Press, 2000, pp. 62–64. ISBN 0802136885
- ^ Lawrence, Tim. "Disco and the Queering of the Dance Floor". Cultural Studies 25.2 (2011): 230–43.
- ^ "Gay bars". Life Stories Network. Retrieved 2016-05-22.
- ^ Rietveld, Hillegonda C. (July–August 2000). "The body and soul of club culture". UNESCO Courier. 53. Archived from the original on 2007-06-26. Retrieved 2014-01-08.
- ^ "Reviews of Love Saves the Day". Tim Lawrence. 14 June 2005. Archived from the original on 2007-07-12. Retrieved 2014-01-08.
- ^ Gootenberg, Paul. "Between Coca and Cocaine: A Century or More of U.S.-Peruvian Drug Paradoxes, 1860–1980". Hispanic American Historical Review, 83:1, February 2003, pp. 119–150. He says that "The relationship of cocaine to 1970s disco culture cannot be stressed enough; ..."
- ^ "Nitrites". DrugScope. Retrieved 2014-01-08.
Amyl, butyl and isobutyl nitrite (collectively known as alkyl nitrites) are clear, yellow liquids inhaled for their intoxicating effects. Nitrites originally came as small glass capsules that were popped open. This led to nitrites being given the name 'poppers' but this form of the drug is rarely found in the UK. The drug became popular in the UK first on the disco/club scene of the 1970s and then at dance and rave venues in the 1980s and 1990s.
- ^ a b Braunstein, Peter (November 1999). "Disco". American Heritage Magazine. 50 (7). Retrieved 2007-07-24.
- ^ Miller, Daniel (2001). Consumption: critical concepts in the social sciences. Taylor & Francis. p. 447. ISBN 978-0-415-24269-1. Retrieved 2014-01-08.
- ^ "How to ... run a clubnight". Fact. 12 November 2012. Retrieved 2016-02-15.
- ^ "Is Ladies' Night illegal? Nightclub entry policy and the Equality Act". Law Think. 2011-04-06. Retrieved 2014-01-08.
- ^ "In the Matter of the Human Rights Code R.S.B.C. 1996, c. 210 (as amended): Carpenter v. Limelight Entertainment Ltd. (1999), C.H.R.R. Doc. 99-197: Trudy Carpenter (now Trudy Jack) v. Limelight Entertainment Ltd. doing business as "Limit Night Club"" (PDF). British Columbia Human Rights Tribunal. Retrieved 2016-02-15.
- ^ "NYC Clubs and lounges - Your Guide to Exclusive New York Nightlife". Socialyeti.com. Retrieved 2013-03-09.
- ^ Dick Hobbs (2003). Bouncers: Violence and Governance in the Night-time Economy. Oxford University Press. ISBN 978-0-19-925224-4.
- ^ Lee Vineyard. Bouncer Training Manual. Lulu.com. p. 59. ISBN 978-1-304-08611-2.
- ^ Bill Sanders (2005-04-01). "In the Club: Ecstasy Use and Supply in a London Nightclub". Soc.sagepub.com. Retrieved 2016-02-15.
- ^ "Jenni Ward: Researching Drug Sellers". Socresonline.org.uk. Retrieved 2016-02-15.
- ^ "Bouncers: Promoters' nightmare". The Chronicle. 2015-09-12. Retrieved 2016-02-15.
- ^ "What's the most effective way to bribe bouncers at night clubs?". Quora.com. Retrieved 2016-02-15.
- ^ Keeran Sewsunker (23 November 2000). "Throb trial to start on Monday". IOL. Retrieved 2014-01-08.
- ^ "Schnittverletzungen: Mann nach Kopfsprung in Disco-Pool verblutet" [Cuts: man bled to death after plunge in Disco Pool] (in German). Spiegel Online. 23 July 2009. Retrieved 2013-03-09.
- ^ "Количество жертв пожара в пермском клубе возросло до 155 человек" [Number of victims of the fire in the Permian club has risen to 155 people] (in Russian). Interfax. 5 January 2010. Retrieved 2010-01-17.
- ^ "СКП: В результате пожара в Перми пострадали и погибли 234 человека" [UPC: 234 people were injured and killed in a fire in Perm] (in Russian). Vzglyad. Russian News Agency TASS. 9 December 2009. Retrieved 2014-01-08.
- ^ "Pulsepoint". Allvoices.com. Archived from the original on 8 January 2014. Retrieved 2016-02-15.
- Media related to Nightclubs at Wikimedia Commons
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| Wikivoyage has a travel guide for Discos. |
- Nightclub travel guide from Wikivoyage
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English Journal
- Short-term music-induced hearing loss after sound exposure to discotheque music: the effectiveness of a break in reducing temporary threshold shift.
- Helleman HW1, Dreschler WA.
- International journal of audiology.Int J Audiol.2015 Feb;54 Suppl 1:S46-52. doi: 10.3109/14992027.2014.974114. Epub 2014 Dec 30.
- OBJECTIVE: To investigate the effect of a break in music exposure on temporary threshold shifts.DESIGN: A cross-over design where subjects are exposed to dance music for either two hours consecutively, or exposed to two hours of dance music with a one-hour break in between. Outcome measure was the c
- PMID 25549167
- Personally Modifiable Risk Factors Associated with Pediatric Hearing Loss: A Systematic Review.
- Vasconcellos AP1, Kyle ME1, Gilani S1, Shin JJ2.
- Otolaryngology--head and neck surgery : official journal of American Academy of Otolaryngology-Head and Neck Surgery.Otolaryngol Head Neck Surg.2014 Mar 26;151(1):14-28. [Epub ahead of print]
- BACKGROUND: Pediatric hearing loss is an increasingly recognized problem with significant implications. Increasing our quantitative understanding of potentially modifiable environmental risk factors for hearing loss may form the foundation for prevention and screening programs.OBJECTIVE: To determin
- PMID 24671457
- Risky music listening, permanent tinnitus and depression, anxiety, thoughts about suicide and adverse general health.
- Vogel I1, van de Looij-Jansen PM2, Mieloo CL2, Burdorf A3, de Waart F2.
- PloS one.PLoS One.2014 Jun 4;9(6):e98912. doi: 10.1371/journal.pone.0098912. eCollection 2014.
- OBJECTIVE: To estimate the extent to which exposure to music through earphones or headphones with MP3 players or at discotheques and pop/rock concerts exceeded current occupational safety standards for noise exposure, to examine the extent to which temporary and permanent hearing-related symptoms we
- PMID 24897078
Japanese Journal
- ディスコ難聴12例の臨床的検討
- 耳鼻咽喉科臨床 89(5), 549-554, 1996-05-01
- NAID 10005932316
- 市民生活において発生した急性騒音性難聴
- AUDIOLOGY JAPAN 35(2), 178-186, 1992
- NAID 130003712083
- 心身症および神経症患者に対するダンス療法の効果
- 心身医学 26(5), 431-438, 1986-08-01
- NAID 110001117109
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