WordNet

musical time with two beats in each bar
set the speed, duration, or execution of; "we time the process to manufacture our cars very precisely"
a period of time considered as a resource under your control and sufficient to accomplish something; "take time to smell the roses"; "I didnt have time to finish"; "it took more than half my time"
a suitable moment; "it is time to go"
adjust so that a force is applied and an action occurs at the desired time; "The good player times his swing so as to hit the ball squarely"
an indefinite period (usually marked by specific attributes or activities); "he waited a long time"; "the time of year for planting"; "he was a great actor in his time"
regulate or set the time of; "time the clock"
the continuum of experience in which events pass from the future through the present to the past
an instance or single occasion for some event; "this time he succeeded"; "he called four times"; "he could do ten at a clip" (同)clip
a persons experience on a particular occasion; "he had a time holding back the tears"; "they had a good time together"
assign a time for an activity or event; "The candidate carefully timed his appearance at the disaster scene"
shrub with terminal tufts of elongated leaves used locally for thatching and clothing; thick sweet roots are used as food; tropical southeastern Asia, Australia and Hawaii (同)Cordyline terminalis
the syllable naming the seventh (subtonic) note of any musical scale in solmization (同)te, si
the regulation of occurrence, pace, or coordination to achieve a desired effect (as in music, theater, athletics, mechanics)
the time when something happens
a more or less definite period of time now or previously present; "it was a sign of the times"
regularly spaced in time; "closely timed intervals"

PrepTutorEJDIC

〈U〉《冠詞をつけずに》(空間に対しての)『時間』,時 / 〈U〉(時計で示される)『時刻』 / 〈U〉(ある方式で決められる)『時間』,標準時 / 〈C〉〈U〉(特定の)『時』,おり,ころ / 〈U〉《しばしば A ~》(ある長さの)『時間』,期間 / 〈U〉(要する)『時間』;暇 / 《しばしば複数形で》(歴史上の)『時代』 / 《複数形で》時勢,景気 / 《one's ~》(個人の)一生;若いころ;生涯の特定の時期 / 〈U〉《しばしば A ~》(ある経験をした)『時間』 / 〈C〉『…回』,度 / 〈C〉『…倍』 / …の時間を定める / (…に)…の調子を合わせる《+名+to+名》 / …の時間を計る
シ(全音階の第7音)
時間の調節;時間を測定[記録]すること
…掛ける

Wikipedia preview

出典(authority):フリー百科事典『ウィキペディア（Wikipedia）』「2015/12/06 19:33:40」(JST)

wiki en

[Wiki en表示]

Simple duple drum pattern: divides each of two beats into two Play (help·info)

Simple quadruple drum pattern: divides each of four beats into two Play (help·info)

Duple meter (or duple metre, also known as duple time) is a musical metre characterized by a primary division of 2 beats to the bar, usually indicated by 2 and multiples (simple) or 6 and multiples (compound) in the upper figure of the time signature, with 2/2 (cut time), 2/4, and 6/8 (at a fast tempo) being the most common examples. Though it must, the upper figure being divisible by two does not of itself indicate duple metre; for example, a time signature of 6/8 usually indicates compound duple metre though it may locally emphasize simple triple, such as the famous example of Leonard Bernstein's song, "America" from West Side Story.

Compound duple drum pattern: divides each of two beats into three Play (help·info)

Compound quadruple drum pattern: divides each of four beats into three Play (help·info)

4/4 is the most common time signature in rock, blues, country, funk, and pop.^[1] Although jazz writing has become more adventurous since Dave Brubeck's seminal Time Out, the majority of jazz and jazz standards are still in straight four time.

Duple time is common in many styles including the polka, notorious for its obvious "oom-pah" duple feel. Compare to the waltz.

Tunes in duple metre tend to be less lyrical and more martial than those in triple. For example, the British national anthem, "God Save the Queen," is in triple metre, as is that of the United States, "The Star-Spangled Banner," but this is highly unusual for national anthems, as almost all are in march time.

Binary measure refers to common time.

Quadruple meter

Quadruple meter (or quadruple metre, also known as quadruple time) is a musical meter characterized in modern practice by a primary division of 4 beats to the bar,^[2] usually indicated by 4 in the upper figure of the time signature, with 4/4 being the most common example.

Sources

^ Schroedl, Scott (2001). Play Drums Today!, p.42. Hal Leonard. ISBN 0-634-02185-0.
^ Anon. 2001. "Quadruple Time". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.

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English Journal

Integration of auditory and tactile inputs in musical meter perception.

Huang J1, Gamble D, Sarnlertsophon K, Wang X, Hsiao S.
Advances in experimental medicine and biology.Adv Exp Med Biol.2013;787:453-61. doi: 10.1007/978-1-4614-1590-9_50.
Musicians often say that they not only hear but also "feel" music. To explore the contribution of tactile information to "feeling" music, we investigated the degree that auditory and tactile inputs are integrated in humans performing a musical meter-recognition task. Subjects discriminated between t
PMID 23716252

Music, rhythm, rise time perception and developmental dyslexia: perception of musical meter predicts reading and phonology.

Huss M1, Verney JP, Fosker T, Mead N, Goswami U.
Cortex; a journal devoted to the study of the nervous system and behavior.Cortex.2011 Jun;47(6):674-89. doi: 10.1016/j.cortex.2010.07.010. Epub 2010 Aug 5.
INTRODUCTION: Rhythm organises musical events into patterns and forms, and rhythm perception in music is usually studied by using metrical tasks. Metrical structure also plays an organisational function in the phonology of language, via speech prosody, and there is evidence for rhythmic perceptual d
PMID 20843509

Flexibility of temporal expectations for triple subdivision of a beat.

Repp BH1, Jendoubi H.
Advances in cognitive psychology / University of Finance and Management in Warsaw.Adv Cogn Psychol.2009 Apr 27;5:27-41. doi: 10.2478/v10053-008-0063-7.
When tapping in synchrony with an isochronous sequence of beats, participants respond automatically to an unexpectedly early or late beat by shifting their next tap; this is termed the phase correction response (PCR). A PCR has also been observed in response to unexpected perturbations of metrical s
PMID 20523848

Japanese Journal

阿波踊りの動きの3次元解析の試み

寺田賢治,福原徹
電気学会論文誌. C, 電子・情報・システム部門誌 = The transactions of the Institute of Electrical Engineers of Japan. C, A publication of Electronics, Information and System Society 129(5), 876-884, 2009-05-01
… Basic operation of "AWA ODORI" dance needs harmony of hands and legs, and the rhythm of duple time, but it is not possible that the beginners do these actions completely. …
NAID 10024775191

阿波踊りの動作の定量化の試み

寺田賢治,宮原宏幸,久保靖
画像電子学会誌 34(3), 220-227, 2005
本稿では阿波踊りの動作の定量評価の一手法を提案する．我々の大学がある徳島県には伝統的な踊りとして「阿波踊り」がある．阿波踊りの基本動作は，手と足の調和，2拍子のリズムに合わせるといったコツがあるが，踊り手の微妙な手足の動き，重心位置の変化，リズム等の違いにより見た人の受ける印象は異なる．本稿では阿波踊りの基本動作をモーションキャプチャにより，計算機に取り込み，踊りのうまさを定量化する手法を提案する …
NAID 130004437584

J. S.バッハの鍵盤楽曲における舞踏リズム : パスピエ

森川晴美,Morikawa Harumi,モリカワハルミ
広島文化女子短期大学紀要 30, 71-82, 1997-09-30
… The word 'passepied' was originally used to describe a dance of Brittany in the 16th century and was characterized by a fast duple-metre dance with the three-bar phrases. … As a result of the study, the writer concludes that all of them are characterized by the 3/8 time signature. …
NAID 120005261015